Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/50390
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dc.contributor.authorL. Scarpaci, Joseph-
dc.contributor.authorH. Portela, Armando-
dc.date.accessioned2019-03-05T06:55:25Z-
dc.date.available2019-03-05T06:55:25Z-
dc.date.issued2009-
dc.identifier.isbn978-1-60623-324-5-
dc.identifier.urihttp://10.6.20.12:80/handle/123456789/50390-
dc.descriptionThe study of landscapes is an eclectic discipline, requiring us to cast a necessarily broad net to capture the many nuances of Cuba and cubanidad (“Cubanness”). Some of the earliest noncartographic representations of the island of Cuba come to us in the form of landscape paintings. This genre departed from 18th-century European treatments of oil portraits, rooms, objects (flowers, vases, and quotidian features), gardens, and other smaller spaces-
dc.languageenen_US
dc.language.isoenen_US
dc.publisherGuilford Pressen_US
dc.subjectCuba—Geographyen_US
dc.titleCuban Landscapesen_US
dc.title.alternativeHeritage, Memory, and Placeen_US
dc.typeBooken_US
Appears in Collections:Geography

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