Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/9772
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dc.contributor.advisorC. W. E. Bigsby,-
dc.contributor.authorSamuel A., Hay-
dc.contributor.editorDon Wilmeth-
dc.date.accessioned2018-10-12T08:33:39Z-
dc.date.available2018-10-12T08:33:39Z-
dc.date.issued1994-
dc.identifier.isbn0 521 46585 0-
dc.identifier.urihttp://10.6.20.12:80/handle/123456789/9772-
dc.descriptionI F it were simply a question of the survival of African American theatre, there would be no need for yet another historical and critical analysis of African American plays, theatre people, and theatrical organizations. Up to today, this theatre has wheezed through more than one hundred seventy years, thanks to generous patching and propping. Given the circumstances, such a long existence is no small achievement. This prompts the question, What can be done to improve prospects for the further long-term health of this repository of African American life and history? To find answers requires a thorough examination of African American drama and theatre. Getting a fix on the plays demands, for example, a complete understanding of the general principles governing the works' methods, aims, functions, and characteristics.-
dc.languageenen_US
dc.language.isoenen_US
dc.publisherCambridgeen_US
dc.subjectA Historical and Critical Analysisen_US
dc.titleAfrican American Theatreen_US
dc.title.alternativeA Historical and Critical Analysisen_US
dc.typeBooken_US
Appears in Collections:African Studies

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