Please use this identifier to cite or link to this item:
192.168.6.56/handle/123456789/53609
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Dorman, Andrew | - |
dc.date.accessioned | 2019-03-13T14:03:50Z | - |
dc.date.available | 2019-03-13T14:03:50Z | - |
dc.date.issued | 2017 | - |
dc.identifier.isbn | 978-1-137-55256-3 | - |
dc.identifier.uri | http://10.6.20.12:80/handle/123456789/53609 | - |
dc.description | This book with a simple assertion; that any fi lm, in one way or another, is specifi c to the country that produces it. Whether it displays specifi c cultural images, articulates ‘national issues’ or is simply made in a particular location, a fi lm carries with it an inherent nationality according to which it may be situated contextually. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Palgrave Macmillan | en_US |
dc.subject | Cultural Representation in 21st Century Japanese Cinema | en_US |
dc.title | Paradoxical Japaneseness | en_US |
dc.type | Book | en_US |
Appears in Collections: | Atlas |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
226.Alberto Bitonti.pdf | 2.95 MB | Adobe PDF | View/Open |
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