Anti-War Theatre After Brecht

Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/53527

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DC Field	Value	Language
dc.contributor.author	Stevens, Lara	-
dc.date.accessioned	2019-03-13T12:15:18Z	-
dc.date.available	2019-03-13T12:15:18Z	-
dc.date.issued	2016	-
dc.identifier.isbn	978-1-137-53888-8	-
dc.identifier.uri	http://10.6.20.12:80/handle/123456789/53527	-
dc.description	This book attempts to map out how contemporary anti-war plays work to infl uence spectator responses to the violence of war after the terrorist attacks of 9/11. The plays I examine are written and devised in precarious times – in times of violent confl ict in the Middle East, what President George W. Bush called the ‘War on Terror’, as well as the escalating conditions of the Global Financial Crisis, new revolutionary landscapes in the Middle East and North Africa and the global Occupy Movement.	en-Us
dc.language.iso	en	en_US
dc.publisher	Palgrave Macmillan	en_US
dc.subject	Anti-War Theatre After Brecht	en_US
dc.title	Anti-War Theatre After Brecht	en_US
dc.type	Book	en_US
Appears in Collections:	Atlas

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201.Lara Stevens.pdf		2.06 MB	Adobe PDF	View/Open