Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/52490
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dc.contributor.authorAngell, Dale-
dc.date.accessioned2019-03-11T06:26:06Z-
dc.date.available2019-03-11T06:26:06Z-
dc.date.issued2008-
dc.identifier.isbn978-0-240-80986-1-
dc.identifier.urihttp://10.6.20.12:80/handle/123456789/52490-
dc.descriptionThere was a time, not long ago when, if someone asked how motion pictures were edited, you could hand them a book. It was a fairly short and straightforward book explaining the process of work printing, syncing, editing, and conforming. All fi lms were shot and edited in, more or less, the same way. The editors all knew what was expected of them, the lab knew what their role was, and the costs were simply the costs.en_US
dc.languageenen_US
dc.language.isoenen_US
dc.publisherElsevieren_US
dc.subjectFinal Cut Pro Workflowen_US
dc.titleThe Filmmaker’s Guide to Final Cut Pro Workflowen_US
dc.typeBooken_US
Appears in Collections:Education Planning & Management(EDPM)

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