Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/51558
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dc.contributor.advisorDavid Stronach-
dc.contributor.authorHamdouni Alami, Mohammed-
dc.date.accessioned2019-03-06T15:01:13Z-
dc.date.available2019-03-06T15:01:13Z-
dc.date.issued2011-
dc.identifier.isbn978 1 84885 544 1-
dc.identifier.urihttp://10.6.20.12:80/handle/123456789/51558-
dc.descriptionIn the mid-1980s, the rabbi of Rabat, Morocco, having decided to restore the old synagogue of the city, commissioned a local architect to carry out the restoration project and asked him to present his very best ideas. The architect, a young Muslim with little knowledge of traditional Moroccan Jewish customs, was eager to do his best, and prepared a few sketches based on his estimation of what would please the rabbi. When the rabbi was presented with the architectural drawings and their modernist approach, he could not help showing his disappointment, and told the Muslim architect:en_US
dc.languageenen_US
dc.language.isoenen_US
dc.publisherI.B.Tauris & Co Ltden_US
dc.subjectAesthetics, Politics and Desire in Early Islamen_US
dc.titleArt and Architecture in the Islamic Traditionen_US
dc.title.alternativeAesthetics, Politics and Desire in Early Islamen_US
dc.typeBooken_US
Appears in Collections:African Studies

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