Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/46784
Title: Gesture, Gender, Nation Dance and Social Change in Uzbekistan
Authors: Masayo Doi, Mary
Keywords: Women—Uzbekistan—Social conditions
Issue Date: 2002
Publisher: United States of America
Description: The expressive arts played a dramatic and highly visible role in the former Soviet empire. Unlike the United States, the arts in the Soviet Union received extensive public support through state-sponsored schools to train professional dancers and performing troupes such as the great Kirov and Bolshoi ballet companies. At the regional level, the famous pan–Soviet Moiseyev company toured the world featuring “national” dances representing the diverse republics and peoples comprising the Soviet Union. Why did the Soviet government choose dance as a political medium? How did the expressive arts affect Soviet society, and how did such close links with the state affect art and artists? What did it mean to be an artist trained and employed by a colonial government?
URI: http://10.6.20.12:80/handle/123456789/46784
ISBN: 0–89789–825–7
Appears in Collections:Gender

Files in This Item:
File Description SizeFormat 
31.Mary Masayo Doi.pdf995.54 kBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.