Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/46698
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dc.contributor.editorVidler, Anthony-
dc.date.accessioned2019-02-22T07:09:20Z-
dc.date.available2019-02-22T07:09:20Z-
dc.date.issued2007-
dc.identifier.isbn13 978-0-262-52465-0-
dc.identifier.urihttp://10.6.20.12:80/handle/123456789/46698-
dc.descriptionthe historical lineage of these new experiments, as well as that of their avantgarde predecessors, complicates any such simple vision of progressive interartistic fusion. For while it is clear that since the 1960s and 1970s painting and sculpture have expanded their fields, and that since the 1980s film and video have expanded their own territories, and that even architecture has embraced and incorporated the formal results of digital animation, it is equally clear that such fields of specificity, with their own microhistories, still oVer strong resistance to complete absorption.en_US
dc.language.isoenen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.subjectRecollection is a discarded garmenten_US
dc.titlePublicIntimacy Architecture and the Visual Artsen_US
dc.typeBooken_US
Appears in Collections:Architecture

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