Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/34754
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dc.contributor.editorParejo Vadillo, Ana-
dc.date.accessioned2019-01-11T06:31:34Z-
dc.date.available2019-01-11T06:31:34Z-
dc.date.issued2005-
dc.identifier.isbn978-0-230-28796-9-
dc.identifier.urihttp://10.6.20.12:80/handle/123456789/34754-
dc.descriptionThis brief overview of aesthetic responses to London makes immediately apparent that women’s contribution to the new poetics was significant and widespread. At this juncture it might be also useful to explain why I have called this artistic response ‘urban aestheticism’. Jonathan Freedman has defined the term ‘aestheticism’ by noting that it designates ‘the perfection of the act of perception, particularly visual perception, wrought most frequently, but not exclusively, by a work of art’.19en_US
dc.language.isoenen_US
dc.publisherLibrary of Congress Cataloging-in-Publicationen_US
dc.subjectIntroduction: Passengers of Modernityen_US
dc.titleWomen Poets and Urban Aestheticism Passengers of Modernityen_US
dc.typeBooken_US
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