Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/27523
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dc.contributor.authorPeter, Kivy-
dc.date.accessioned2018-12-05T05:09:09Z-
dc.date.available2018-12-05T05:09:09Z-
dc.date.issued2009-
dc.identifier.isbn978–0–19–956280–0-
dc.identifier.urihttp://10.6.20.12:80/handle/123456789/27523-
dc.descriptionMy ancient quarrel is not between philosophy and any one of the arts, although that quarrel has certain affinities with mine, as we shall see. It is, rather, an ‘‘internal’’ quarrel, as it were: an internecine conflict within the arts, between the emerging art of absolute music, as the Romantics called it, ‘‘music alone,’’ as I sometimes refer to it, and the truly ancient, long-established art of literary fiction. And it arises, as we shall see, in the attempt to understand, interpret, appreciate the newly emerging absolute music canon, on the part of those who were ‘‘present at the creation.’’-
dc.languageenen_US
dc.language.isoenen_US
dc.publisherOxforden_US
dc.subjectMusic and literatureen_US
dc.titleAntithetical Artsen_US
dc.title.alternativeOn the Ancient Quarrel between Literature and Musicen_US
dc.typeBooken_US
Appears in Collections:Fine Arts and Design

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