Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/26984
Full metadata record
DC FieldValueLanguage
dc.contributor.editorNoah, Charney-
dc.date.accessioned2018-12-03T11:42:31Z-
dc.date.available2018-12-03T11:42:31Z-
dc.date.issued2015-
dc.identifier.isbn978-1-137-40757-3-
dc.identifier.urihttp://10.6.20.12:80/handle/123456789/26984-
dc.descriptionThe title of this book triggers some questions. Normally when the term art crime is used, one thinks about thefts of paintings, sculptures and antiques, or new objets d’art or, in the worst case, a work of art that is so ugly or repulsive that some consider it an art crime in itself. But looking at the contents of this book, edited by Noah Charney, I found several chapters dealing with terms such as cultural property, collectable objects, antiquities, cultural heritage, art, archives and libraries. Nevertheless, taking into account the roots of the editor of this volume, namely the Association for Research into Crimes against Art (ARCA) and the criminological background of the majority of the contributing authors, I do understand, in this case, the use of art as the adjective to accompany the crime.-
dc.languageenen_US
dc.language.isoenen_US
dc.publisherPalgrave Macmillanen_US
dc.subjectArt Crimeen_US
dc.titleArt Crimeen_US
dc.title.alternativeTerrorists, Tomb Raiders, Forgers and Thievesen_US
dc.typeBooken_US
Appears in Collections:Theatrical Arts

Files in This Item:
File Description SizeFormat 
5.pdf.pdf2.06 MBAdobe PDFView/Open
Show simple item record


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.