Please use this identifier to cite or link to this item:
192.168.6.56/handle/123456789/26941| Title: | Movement, Time, Technology, and Art |
| Authors: | Christina, Chau Ernest Edmonds |
| Keywords: | Movement, Time, Technology, and Art |
| Issue Date: | 2017 |
| Publisher: | Springer |
| Description: | This chapter highlights that kinetic sculpture has at times been used in art history today to refer to an antiquated artistic practice, which has consequently contributed to a long-standing ‘flagrant dearth’ of critical and historical engagement with movement in art. Despite this attitude there has been an increasing amount of exhibitions which have turned to avant-garde kinetic artworks and sought new interpretations of the roles and affects of movement in sculpture and installation. This chapter argues that this turn towards movement in art contributes to a key trend in contemporary art and give indication to our current sense of contemporaneity in art and society. |
| URI: | http://10.6.20.12:80/handle/123456789/26941 |
| ISBN: | 978-981-10-4705-3 |
| Appears in Collections: | Theatrical Arts |
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