Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/26475
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dc.contributor.authorVarriale, Simone-
dc.date.accessioned2018-12-03T06:06:55Z-
dc.date.available2018-12-03T06:06:55Z-
dc.date.issued2016-
dc.identifier.isbn978-1-137-56450-4-
dc.identifier.urihttp://10.6.20.12:80/handle/123456789/26475-
dc.descriptionThis book focuses on the rise of a new cultural institution, one that signifi cantly contributed to this process: pop music criticism. As I discuss in Chap. 2, critics have played an important historical role in establishing boundaries between the arts (high culture) and popular culture. More recently, though, they have become invested in the artistic legitimation of ‘low’ cultural forms like fi lm, television and popular music, especially jazz and rock. Th is cultural transformation has taken place at diff erent paces in various Western countries, and Italy is no exception.en-Us
dc.language.isoenen_US
dc.publisherPalgrave Macmillanen_US
dc.subjectThe Rise of Pop Music Criticism in Italyen_US
dc.titleGlobalization, Music and Cultures of Distinctionen_US
dc.typeBooken_US
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