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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Varriale, Simone | - |
dc.date.accessioned | 2018-12-03T06:06:55Z | - |
dc.date.available | 2018-12-03T06:06:55Z | - |
dc.date.issued | 2016 | - |
dc.identifier.isbn | 978-1-137-56450-4 | - |
dc.identifier.uri | http://10.6.20.12:80/handle/123456789/26475 | - |
dc.description | This book focuses on the rise of a new cultural institution, one that signifi cantly contributed to this process: pop music criticism. As I discuss in Chap. 2, critics have played an important historical role in establishing boundaries between the arts (high culture) and popular culture. More recently, though, they have become invested in the artistic legitimation of ‘low’ cultural forms like fi lm, television and popular music, especially jazz and rock. Th is cultural transformation has taken place at diff erent paces in various Western countries, and Italy is no exception. | en-Us |
dc.language.iso | en | en_US |
dc.publisher | Palgrave Macmillan | en_US |
dc.subject | The Rise of Pop Music Criticism in Italy | en_US |
dc.title | Globalization, Music and Cultures of Distinction | en_US |
dc.type | Book | en_US |
Appears in Collections: | Subject Wise Referennce |
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