Please use this identifier to cite or link to this item:
192.168.6.56/handle/123456789/20064Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Moss, Geoffrey | - |
| dc.date.accessioned | 2018-11-09T11:51:52Z | - |
| dc.date.available | 2018-11-09T11:51:52Z | - |
| dc.date.issued | 2017 | - |
| dc.identifier.isbn | 978-3-319-55264-4 | - |
| dc.identifier.uri | http://10.6.20.12:80/handle/123456789/20064 | - |
| dc.description | This project initially constituted an endeavor to understand a contemporary manifestation of the bohemian phenomenon. Borer (2006) pointed out that some urban sociologists start out with a social problem or phenomenon, and then seek out a place where the problem or phenomenon is occurring, while other urban sociologists select a place and then ask inductive questions about what happened there. My own research process was closer to the former (i.e., I decided to study Lawrenceville Pittsburgh because my preliminary investigation of the community indicated that it contained a bohemian enclave), but also contained elements of the latter (i.e., I wasn’t sure what type of bohemian enclave it contained and was open to the possibility that upon closer inspection, I would conclude that this enclave is too bourgeois to be bohemian). | - |
| dc.language | en | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Springer | en_US |
| dc.subject | Artistic Enclaves in the Post-Industrial City | en_US |
| dc.title | Artistic Enclaves in the Post-Industrial City A Case Study of Lawrenceville Pittsburgh | en_US |
| dc.type | Book | en_US |
| Appears in Collections: | Gender | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Geoffrey Moss.pdf | 2.5 MB | Adobe PDF | View/Open |
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