Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/19484
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dc.contributor.authorZhao, Bin-
dc.date.accessioned2018-11-08T13:56:54Z-
dc.date.available2018-11-08T13:56:54Z-
dc.date.issued2013-
dc.identifier.isbn978-3-642-32048-4-
dc.identifier.urihttp://10.6.20.12:80/handle/123456789/19484-
dc.descriptionThe subtitle of the book – a critical inquiry into children and television in China – should therefore be read as describing a focus for social analysis rather than a narrowly bounded fi e ld of study. The research is concerned not just with children and television, but with the post-Mao era of modernisation characterised by experiments with a capitalist market economy in socialist China, and their links to and impact on the cultural sphere. The ‘inquiry’ is meant to be ‘critical’ for two reasons: fi rstly, it adopts a classical critical perspective, which examines everyday life in relation to wider structural formations and attempts to trace the relationship between the two; secondly, it seeks to develop a critique both of tradition and of reality, including paternalist values, sex taboos, the new ethics of consumerism and possessive individualism, and the ongoing trend towards commercialisation of culture.-
dc.languageenen_US
dc.language.isoenen_US
dc.publisherSpringeren_US
dc.subjectThe Little Emperors’ New Toysen_US
dc.titleThe Little Emperors’ New Toys A Critical Inquiry into Children and Television in Chinaen_US
dc.typeBooken_US
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