Please use this identifier to cite or link to this item: 192.168.6.56/handle/123456789/13863
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dc.contributor.editorMike, Robinson-
dc.contributor.editorHelaine, Silverman-
dc.date.accessioned2018-10-24T06:11:34Z-
dc.date.available2018-10-24T06:11:34Z-
dc.date.issued2015-
dc.identifier.isbn978-3-319-13183-2-
dc.identifier.urihttp://10.6.20.12:80/handle/123456789/13863-
dc.descriptionThe discourses that refer to and help to construct “heritage” have long been shaped by a particular understanding of what heritage is and, indeed, what it should be. As evidenced by the recognition of heritage by nation states through lists and registers of monuments and sites and the consequent frameworks of protection, funding, and promotion designed around these, we witness an “official” process of heritage construction that speaks to a moral agenda as well as to the paternalism of governance. Heritage is an expression of culture. It is also a particular interpretation of culture that is seen to be aspirational, educational, and “good” for usen_US
dc.languageenen_US
dc.language.isoenen_US
dc.publisherSpringeren_US
dc.subjectCultural Heritage and Popular Cultureen_US
dc.titleEncounters with Popular Pastsen_US
dc.title.alternativeCultural Heritage and Popular Cultureen_US
dc.typeBooken_US
Appears in Collections:Archeology and Heritage Management

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