Please use this identifier to cite or link to this item:
192.168.6.56/handle/123456789/104362Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Parncutt, Richard | - |
| dc.date.accessioned | 2020-02-05T06:23:39Z | - |
| dc.date.accessioned | 2020-05-15T21:58:56Z | - |
| dc.date.available | 2020-02-05T06:23:39Z | - |
| dc.date.available | 2020-05-15T21:58:56Z | - |
| dc.date.issued | 1988 | - |
| dc.identifier.uri | http://196.189.45.87:8080/handle/123456789/104362 | - |
| dc.description | The present article develops a harmonic theory that attempts to account for the root of any chord in any tonal context (by context, I am thinking primarily of the chords that immediately precede a chord in a progression). The theory addresses primarily how a chord sounds, not how it is notated; to emphasize this difference, the predictions of the theory may be referred to as perceptual roots. | en_US |
| dc.language | English | en_US |
| dc.language.iso | en | en_US |
| dc.subject | Accounting for Voicing | en_US |
| dc.title | A Model of the Perceptual Root(s) of a Chord Accounting for Voicing and Prevailing Tonality | en_US |
| dc.type | Article | en_US |
| Appears in Collections: | Accounting and Finance | |
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